What We Do

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Yellow Arrow Publishing supports and inspires writers identifying as women through publication and access to the literary arts. This project is based in Baltimore City with a focus on literary events and publishing local writers.

There are many ingrained beliefs about what writing should be. Style guides, universities, and publishers enforce norms created long ago under circumstances that lacked diversity and representation of different modes of storytelling. This has shaped the writing world today by making it difficult for writers who find themselves outside of these norms to get published. Because of this, women’s voices are underrepresented in literature.

Yellow Arrow Publishing anticipates making an impact by providing opportunities and inspiration to more wonderful, vibrant voices in our community. In our classes, workshops, and writers groups, we allow women to express themselves however they come to us by creating a safe space to be proud of their work, lives, and stories.

Since its inception in 2016, Yellow Arrow Publishing began its work in several arenas. It has published an adventure travel novel, gaining semi-finalist status from the Tucson Festival of Books Literary Contest. Our biannual literary journal of creative nonfiction and poetry represents voices worldwide. We are nourishing a Baltimore-based Girl’s Book Club, a group of sixth graders who are busily writing about superheroes and utopian visions of the future. The First Friday Reading Series in Highlandtown hosts a wide range of authors and genres as folks tour the arts district. In addition, we have begun offering workshops on myriad topics, to help writers improve their craft.

Creating diversity in the literary world is deeply important work. It is our belief that when we share our stories with each other, it creates a ripple effect of empathy, compassion, and understanding. We see creativity as an act of service, making this project not just about great literature, but about contributing to the collective voice in our community. It’s about saying, yes, we belong here, too.

It is our hope that providing more opportunities for women to participate in the literary arts will stimulate social change by expanding literary norms. For every writer who gets published, there are a hundred more with equally valuable stories to tell. We must share our voices so that our daughters, nieces, and little neighbor girls can read our stories and know that her individual lens is important. Expressing who we are and sharing our experience, strength, and hope, deepens the understanding of the human condition, allowing us all to better empathize with one another.

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Who We Are

Gwen Van Velsor, Founder

Gwen Van Velsor writes creative nonfiction and pseudo-inspirational prose. She started Yellow Arrow Publishing, a project that publishes and supports writers who identify as women in 2016. Raised in Portland, Oregon, Gwen has moved many times, from sea to shining sea, now calling Highlandtown, Baltimore her forever home. Her major accomplishments include walking the Camino de Santiago pilgrimage in Spain, raising a toddler, and being ok with life exactly as it is. Her memoir, Follow That Arrow, was published in 2016.

Ariele Sieling, Vice President

Ariele Sieling was born and raised among the trees and her dad’s honeybees. She began writing at an early age, and now has two scifi series, Land of Szornyek and The Sagittan Chronicles, and a children’s book series called Rutherford the Unicorn Sheep. She has been featured in numerous anthologies (most recently Beamed Up by Amphibian Press), Bewildering Stories Magazine, and Bee Culture Magazine. She lives in Baltimore with her husband, a dog, three cats, and a fish. You can learn more at http://www.arielesieling.com or follow her on Instagram @arielesieling.

Kapua Iao, Editor-In-Chief

Kapua was born and raised on the beautiful island of Oahu, Hawaii, though she felt the travel bug at an early age. She holds an M.A. in Art History from SUNY-Buffalo and an M.A. in Museum Studies from the University of Toronto. At present, Kapua works on the Gournia Excavation Project (www.gournia.org)–the excavation of a Minoan town on Crete, Greece–as Project Organizer, Registrar, and co-publisher. She is also currently a freelance editor for archaeological books and journals and has written a few publications herself. Having traveled and lived all around the world, Kapua currently resides in Montréal, Quebec.

Sara Palmer, Director

Sara Palmer wrote her first poem in second grade. Since then, poetry has been a vehicle for self-expression, healing, and enjoyment. During her career as a psychologist, Sara specialized in helping people cope with physical disability, chronic illness, and caregiving. She co-authored three books published by the Johns Hopkins University Press Health Book series (Spinal Cord Injury: A Guide for Living; When Your Spouse Has a Stroke: Caring for Your Partner, Yourself and Your Relationship; and Just One of the Kids: Raising a Resilient Family When One of Your Children Has a Physical Disability), and is the solo author of another book in that series, Living with HHT: Understanding and Managing Your Hereditary Hemorrhagic Telangiectasia (2017). Now retired from psychology, Sara recently re-engaged in imaginative writing through classes offered by Yellow Arrow Publishing, the Writers’ Center and Everyman Theater. This is her first public poetry reading.

Ann Quinn, Poetry Editor

Ann Quinn’s poetry was selected by Stanley Plumly as first place winner in the 2015 Bethesda Literary Arts Festival poetry contest, and has been nominated for a Pushcart Prize. Her work is published in Potomac Review, Little Patuxent Review, Broadkill Review, and other journals and is included in the anthology Red Sky: Poetry on the Global Epidemic of Violence Against Women. Ann lives in Catonsville with her family where she teaches reflective and creative writing and music and plays clarinet with the Columbia Orchestra. Her degrees are in music performance; she fell in love with poetry in mid-life. Her chapbook, Final Deployment, is published by Finishing Line Press. Please visit online at www.annquinn.net.

Bailey Drumm, Editorial Associate

Bailey Drumm is an fiction writer who's written work has been featured in Grub Street, and digital art displayed as the cover art for the 2017 edition of Welter. She is an MFA graduate from the Creative Writing and Publishing Arts program at the University of Baltimore. Her collection of short stories, The Art of Settling, was published in the spring of 2019. Bailey-Drumm.square.site

Meredith Eilola, editorial Associate

Meredith Eilola will graduate in December 2019 with her B.A. in English with a concentration in Literature and a minor in Business, Communications, and Liberal Arts. She worked as the Fiction Editor for the 68th issue of Grub Street, Towson University’s award-winning and undergraduate-run literary magazine, but is excited to be able to work more closely with creative non-fiction and poetry through Yellow Arrow. She currently lives in Cecil County, MD and pays for college with the help of Uber and a small residential cleaning company. 

eleanor hade, editorial Associate

Eleanor Hade is a senior at UMBC majoring in English Communication and Technology, and minoring in Geography. This past year she served as Co-Lead Copy Editor for Bartleby; UMBC's Creative Arts Journal, and she is looking forward to serving as Senior Managing Editor for this coming year. In her free time she enjoys taking long walks in the woods, and cuddling up with her cat and a good story.

Alexa Laharty, editorial Associate

Alexa grew up in Portland, Oregon dreaming of British universities and Greek archaeological digs. She has since earned a BA in Classical Civilizations from Wellesley College and spent summers working on excavations on Crete and Cyprus. She is currently working on her MPhil in Archaeology at the University of Cambridge. When not thinking about the Ancient Mediterranean Alexa enjoys reading, creative writing, painting, and being the "cool aunt" to her four rambunctious nieces and nephews.

Bradford A. Masoni, Editorial Associate

Bradford A. Masoni (AB 1996, English Language and Literature, U. of Chicago; Ph.D. 2017, Comparative Literature, The Graduate Center, CUNY), is an author, editor, educator, and translator who specializes in literary modernism, and particularly on the transition from the many schools of 19th-century literary realism into modernism. He has published and presented on numerous authors, including Giovanni Verga, Ernst Mach, Emile Zola, Luigi Pirandello, Friedrich Nietzsche, Eugene Ionesco, and Vincenzo Consolo, among many others, as well on literary modernism at large. His recent academic work has focused on the manner in which authors exclude the voices of female and disenfranchised characters from their texts. Brad has lived and worked in New York City, Rome, Shanghai, Rotterdam, Amsterdam, and Hong Kong. He and his wife have recently relocated to the Highlandtown neighborhood of Baltimore, where he spends his days reading, writing, cooking, editing, and exploring Patterson Park with Tina Turner, the dog.