Living Life to the Fullest: Lifecycle of a Beautiful Woman by Ann Weil

Yellow Arrow Publishing announces the release of our latest chapbook, Lifecycle of a Beautiful Woman, by Ann Weil. Since its establishment in 2016, Yellow Arrow has devoted its efforts to advocate for all women writers through inclusion in the biannual Yellow Arrow Journal as well as single-author publications and Yellow Arrow Vignette, and by providing strong author support, writing workshops, and volunteering opportunities. We at Yellow Arrow are excited to continue our mission by supporting Ann in all her writing and publishing endeavors.

Lifecycle of a Beautiful Woman by Ann Weil dives head first into a life lived to its fullest, exploring both small and large moments, deftly demonstrating how our experiences and memories create who we were, who we are, and who we will be. From bedroom closet to funky island town, from salsa lessons to riding out a hurricane, Ann weaves us through painful and joyful personal learning moments, using her poetry to tell her powerful and reflective story. Ann compels us to consider our own moments, our own secrets, our own beauty, reminding us that “We aren’t meant to sleep through a tread-water life.”

Ann writes at her home on the corner of Stratford and Avon in Ann Arbor, Michigan, and on a deck boat at Snipe’s Point Sandbar off Key West, Florida. Her work has been nominated for Best of the Net and appears in more than 45 journals and anthologies including Crab Creek Review, Bacopa Literary Review, Whale Road Review, Shooter Literary Magazine, Eastern Iowa Review, and DMQ Review. Ann earned her doctorate at the University of Michigan and is a former special education teacher and professor of education.

Through this collection, Ann conveys that it is possible to survey multiple facets of oneself to find beauty within. Whether reflecting on womanhood, exploring the pain of loss, the complexities of marriage, the intimacies of friendship, the unspoken truths about pleasure, or the desire to love a body as one ages, she tells us that no matter what, we are more than okay as is. In a sense, Lifecycle of a Beautiful Woman is a love letter from Ann to every woman out there as well as to herself.

Cover and interior photography were taken by Jillian Mayotte and Kelsey Orr while cover design was by Alexa Laharty, Yellow Arrow Creative Director. Ann wanted the cover “to reflect the content of the book,” particularly through its quirky, playful imagery. According to Ann, “I like to have fun—I don’t like to take life too seriously.”

Paperback and PDF versions of Lifecycle of a Beautiful Woman are now available from the Yellow Arrow bookstore. If interested in purchasing more than one paperback copy for friends and family, check out our discounted wholesale prices here. You can also search for Lifecycle of a Beautiful Woman wherever you purchase your books including Amazon, Barnes & Noble, and Kobo. To learn more about Ann and Lifecycle of a Beautiful Woman, check out our recent interview with her.

You can find Ann on Instagram @annweilpoetry or annweilpoetry.com and connect with Yellow Arrow on Facebook and Instagram to share some love for this chapbook. You can also share a review to any of the major distributors or by emailing editor@yellowarrowpublishing.com. We’d love to hear from you.

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Yellow Arrow Publishing is a nonprofit supporting women writers through publication and access to the literary arts. Yellow Arrow Publishing is a nonprofit supporting women writers through publication and access to the literary arts. You can support us as we SPARK and sparkle this year: purchase one of our publications from the Yellow Arrow bookstore, join our newsletter, follow us on Facebook, Instagram, or Twitter or subscribe to our YouTube channel. Donations are appreciated via PayPal (staff@yellowarrowpublishing.com), Venmo (@yellowarrowpublishing), or US mail (PO Box 65185, Baltimore, Maryland 21209). More than anything, messages of support through any one of our channels are greatly appreciated.

Yellow Arrow Journal (VIII/01) KINDLING Submissions are Now Open!

Yellow Arrow Publishing is excited to announce that submissions for our next issue of Yellow Arrow Journal, Vol. VIII, No. 1 (spring 2023) is open February 1–28 addressing the overarching concept of advocacy and community. Guest editor, Matilda Young, states,

The work of changemaking is the work of community and care, of recognizing how our lives and futures are inextricably linked. Our writing can reflect this vital work and be a part of how we bring change to life.

Maybe it is by sharing our full selves with the world or speaking clearly to the injustice of the past and present. Maybe it is sharing the story of how another person inspired us or helped us find healing or how we ourselves find healing and connection in the practice of community care. Like writing, changemaking is fundamentally an act of imagination: envisioning a world that does not yet exist but must.

This issue’s theme will be KINDLING

: easy combustible material for starting a fire

: something or someone that helps start (spark) a movement, an event,

changemaking, and/or advocacy

1. What is your vision for advocacy? How can you kindle changemaking in yourself? In others? How do people broaden their vision and their actions?

2. How have you (or how can you) create inspiration in yourself and in others?

3. How do you get yourself or someone else to join a journey toward advocacy?

Yellow Arrow Journal is looking for creative nonfiction, poetry, and cover art submissions by writers/artists who identify as women, on the theme of KINDLING. Submissions can be in any language as long as an English translation accompanies it. For more information regarding journal submission guidelines, please visit yellowarrowpublishing.com/submissions. Please read our guidelines carefully before submitting. To learn more about our editorial views and how important your voice is in your story, read About the Journal. This issue will be released in May 2023.

KINDLING’s guest editor, Matilda Young (she/they), is a poet with an MFA in poetry from the University of Maryland. She has been published in several journals, including Anatolios Magazine, Angel City Review, and Entropy Magazine’s Blackcackle. She enjoys Edgar Allan Poe jokes, not being in their apartment, and being obnoxious about the benefits of stovetop popcorn. Matilda’s poem “This Yes, This” was part of Yellow Arrow Journal FREEDOM, and Matilda was our .W.o.W. #7. Matilda was also one of our three fantastic Writers-in-Residence 2022 cohort. We are excited to work with Matilda over the next few months.

The journal is just one of many ways that Yellow Arrow Publishing works to support and inspire women through publication and access to the literary arts. Since its founding in 2016, Yellow Arrow has worked tirelessly to make an impact on the local and global community by advocating for writers who identify as women. Yellow Arrow proudly represents the voices of women from around the globe. Creating diversity in the literary world and providing a safe space is deeply important. Every writer has a story to tell, every story is worth telling.

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Yellow Arrow Publishing is a nonprofit supporting women writers through publication and access to the literary arts. You can support us as we SPARK and sparkle this year: purchase one of our publications from the Yellow Arrow bookstore, join our newsletter, follow us on Facebook, Instagram, or Twitter or subscribe to our YouTube channel. Donations are appreciated via PayPal (staff@yellowarrowpublishing.com), Venmo (@yellowarrowpublishing), or US mail (PO Box 65185, Baltimore, Maryland 21209). More than anything, messages of support through any one of our channels are greatly appreciated.

SPARK: Generating Heat and Light with Yellow Arrow Publishing’s 2023 Yearly Value

By Mickey Revenaugh

It’s a thrilling thing to newly affiliate with an organization you’ve long admired: Every interaction crackling with shared verve, every discovery shimmering with potential.

It’s also profoundly humbling to join such an organization after it survived widespread yet very specific peril. The global pandemic that killed millions also shut down a beloved physical location, threw budgets into disarray, and sent intimate literary interactions online overnight.

That’s my starting place as new board president for Yellow Arrow Publishing: Equal parts thrilled and humbled to have the opportunity to serve. That’s also what makes SPARK the perfect 2023 value for Yellow Arrow and for me.

As 2022 hit its final stretch this winter, the Yellow Arrow staff and board considered a chunky list of possible values for the new year ahead. The new value had to build on 2022’s AWAKEN, which Executive Director Annie Marhefka reflected on so eloquently a year ago. Previous yearly values include REFUGE for 2020 and EMERGE for 2021—watchwords that trace not only Yellow Arrow’s experience of the last few years but the culture as a whole.

For 2023, SPARK captures the quickening of the pulse we feel now after awakening. Anticipation—possibly even anxiety?—leading to action: Let’s get up. Let’s go, now.

And yet, the truth is that a spark is not a blaze, nor a lit lantern, nor an engine roaring in full throttle. A spark is a precondition, necessary but not sufficient. The immortal poet Bruce Springsteen once wrote, “You can’t start a fire without a spark,” but that was in a different song than “I’m On Fire.”

So Yellow Arrow and I approach 2023 with excited humility. We’re aiming to accelerate recent expansion of our publishing program, including our biannual Yellow Arrow Journal, our chapbook series, and 2022’s successfully launched online journal, Yellow Arrow Vignette—all with extra sizzle provided by our monthly author spotlight .Writers.on.Writing. We’re building out our workshop offerings, including our unique Restorative Writing series and the ever-popular Poetry is Life. And we are finding new ways to ignite creative and communal kindling with in-person events across Baltimore and beyond. All this with an eye toward the financial sustainability that feeds our literary fires.

Together we’ll gently but relentlessly coax Yellow Arrow’s spark of 2023 into full flame, heating and lighting our way through this year of extraordinary promise. Won’t you join us?

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Mickey Revenaugh is an education innovator, mission-driven leader, and recovering journalist/current writer of creative nonfiction and fiction. In addition to cofounding a Maryland-based international network of virtual schools, she serves in Board leadership for a New York City charter school, a national charitable foundation, and a global private school. Her writing has appeared in VICE, Chautauqua, Cleaver, Catapult, Louisiana Literature, Lunch Ticket, and many others. She holds an MFA from Bennington College, an MBA from New York University, and a BA in American Studies from Yale. She lives and works in Brooklyn, New York, and can be found online at mickeyrevenaugh.com or Instagram @mickeyrevenaugh.

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Yellow Arrow Publishing is a nonprofit supporting women writers through publication and access to the literary arts. You can support us as we SPARK and sparkle this year: purchase one of our publications from the Yellow Arrow bookstore, join our newsletter, follow us on Facebook, Instagram, or Twitter or subscribe to our YouTube channel. Donations are appreciated via PayPal (staff@yellowarrowpublishing.com), Venmo (@yellowarrowpublishing), or US mail (PO Box 65185, Baltimore, Maryland 21209). More than anything, messages of support through any one of our channels are greatly appreciated.

2022 Year in Review: Wrapping Up a Year of Change

Dear Yellow Arrow Community,

If asked, I think most people would choose summer or spring as their favorite season, but there is something about the beginning of winter that beckons, that sparks a moment of pause, that promotes a bit of stillness. That stillness is not just an opportunity for reflection, but an opening for what is to come. In the same way we prepare our houses for holiday guests—sweeping the floors and cleaning the oven and dusting off the holiday decorations—at Yellow Arrow Publishing, we are winding down what has been an incredibly fulfilling year and readying for 2023 even more focused on supporting and empowering women writers. But before we clear some space on the shelves for all that is to come, let’s take a moment to look back at all we have done in our 2022 Year in Review.

Each year we select a yearly value that embodies the energy we want to bring into our work, and this year, we selected AWAKEN. We focused on paving a new path forward which included sprinkling some in-person events into the all-virtual programming of the past few years, expanding our Board of Directors and staff, and kicking off new ventures, like expanded workshop offerings and the launch of Yellow Arrow Vignette, our new digital publication. 

With Yellow Arrow Journal this year, we first explored the theme of UpSpring with guest editor Rebecca Pelky. A poem that really resonated for me was Zorina Exie Frey’s “Vitamin Seed”:

All this time, everyone’s been going the wrong way.

They build ladders and monuments to rise when what

you really have to do is root down. Grab a handful

of earth. Reel deep. Touch the core. The seed. The

heart. 

Zorina’s words reminded me that the heart of what we do here at Yellow Arrow is empower women-identifying writers to tell their stories.

Our latest release of Yellow Arrow Journal, PEREGRINE, focuses on illuminating and reclaiming languages, exploring our authors’ personal connections with language, self, and place. Guest editor Raychelle Heath shared, “As a traveler myself, finding home in places of welcome, the word peregrine feels like it also applies to me, and to this broader human experience that we are all traveling through in one way or another.” We are still gushing over the gorgeous cover art by Daryle Newman, who told us, “I cannot tell you how much I have enjoyed being a part of this publication. I have not spoken to my art for some time so doing the interview was incredibly cathartic, thank you.” We hope you find a little bit of home in the words of these stunning writers and that their voices awakened something inspirational within you—whether that be a desire to take pen to paper, a reflection on what home means to you, or the instinct to take flight and tackle a new adventure.

An UpSpring author shared their appreciation recently: “And thank you for the thorough support and communication throughout—everyone at Yellow Arrow Journal is incredibly hardworking and thoughtful.” We published 47 different writers in Yellow Arrow Journal this year and 19 more in our first-ever digital publication, Yellow Arrow Vignette AWAKEN.

In addition to the journal, we published three incredible poetry collections: The most beautiful garden by Nikita Rimal Sharma, when the daffodils die by Darah Schillinger, and What Is Another Word For Intimacy? by Amanda Baker. We were thrilled that our chapbook authors this year were all from the Baltimore area so we could continue to awaken in our first community. It was great to see them flourish and awaken in their own way. We recently announced our 2023 chapbook authors and can’t wait to share their stories with you and work with them on their journeys as authors.

We spent our spring working with the fabulous 2022 Writers-in-Residence, and we were so inspired by their words that we published a collection of their poetry, I (want to) love you, Baltimore. We are grateful to Arao Ameny, Amy L. Bernstein, Catrice Greer, and Matilda Young for sharing their voices with us.

This year, we were (finally) able to start attending some in-person events again. What fun we had! We had a virtual booth at SMOL Fair, participated in The Lost Weekend Book Festival outside of Greedy Reads in Remington, enjoyed reading and sharing with friends at the Write Women Book Festival, and had Yellow Arrow authors and writers-in-residence read poetry on-stage at the Arts & Drafts Festival at Guinness Open Gate Brewery. But here is what stood out to me: can I tell you how many times a writer tentatively approached our table and when asked if they were a writer, they would respond, “Well, I write. I’m not sure if I would call myself a writer.” This, friends, is exactly why Yellow Arrow exists! We are here to spark your writing journey, to surround you with fellow creatives on similar paths of exploration, to lift your voices.

Yellow Arrow also offers accessible, affordable workshops year-round that foster a sense of community and support among writers in all stages of their creative journey. This year, we listed a total of 26 workshops with topics ranging from the development of craft elements like writing dialogue through the exploration of ars poetica and generative nature poetry. One workshop participant shared, “I felt connected to the other workshop participants and appreciated the diversity of thought and writing styles represented,” and another stated, “I appreciated the wide-ranging poets, moments of interaction among participants, and quiet reflective periods to journal and write.” We also kicked off the year by publishing a collection from the writers in our 2021 Poetry is Life series led by Ann Quinn (our 2022 session continues into February, and we encourage you to sign up; information about the 2023 session will be available next month!). We also just announced a new series that begins in January: Restorative Writing with Raychelle Heath. You can sign up for all six sessions now or join one session at a time. This is a great way to kick off the new year by honoring your writing intentions on a monthly basis in our supportive community!

We introduced some cool, new ways to support our independent press in 2022, like our brand new merch store (go grab a mug!) and our addition to the Amazon Smile program (go add us as your favorite charity and we’ll benefit from your holiday shopping!) and the reopening of Yellow Arrow Journal subscriptions (we'll let you know when 2023 subscriptions open).

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I have tremendous gratitude for all the hard work that goes into our programs and publications, and the team behind the scenes who make all of this happen are some of the most talented and passionate individuals I have ever worked with. Our readers, volunteers, interns, guest editors, workshop instructors, and board members have unwavering dedication to Yellow Arrow’s mission, and this is so evident in the wonderful publications we produce and programs we offer. This year, we welcomed additional staff and board members, and also are sadly saying farewell to a few. We are incredibly fortunate to have had Gina Strauss step in as our interim board president for 2022. She has led our team this year with grace, compassion, and such a warmth of spirit that we will undoubtedly still feel the uplifting effects of her contributions for a long time to come. Jessica Gregg, who has been serving as our board secretary, will also be stepping away at the end of the year. Jessica has been such an asset to our team and though we are sad she is leaving the soard, we know she will also remain a part of our Yellow Arrow community.

We are thrilled to introduce our new board president to you, as well as two other new members joining our board, neither of which is a stranger to the Yellow Arrow family! We feel so grateful to have these three incredible talents join our team. Stay tuned for interviews with our new board president, Mickey Revenaugh, our new director of author support, Patti Ross, and our new director of fundraising, Nikita Rimal Sharma.

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One final note. Around the literary world this year, we have read stories of small presses and literary institutions closing their doors. The literary arts space is one where we cheer each other on, and we have been saddened to see other organizations that reached a point of financial unsustainability. At Yellow Arrow Publishing, we are pushing on with our mission to support and empower women-identifying writers, and as we do, we are asking for your continued support now and into the new year.

Now, more than ever, we believe in the power of words and literature to amplify women’s voices and share our powerful stories with the world. Our goal is to be as inclusive and accessible as possible to all women-identifying writers, and in order to pay our contributing authors and keep submissions low or nonexistent, we must build up our financial resources. We are thrilled that we have been awarded a creativity grant from the Maryland State Arts Council for 2023, and we continue to apply to other grant and funding opportunities.

Furthermore, we have kicked off a fund drive to support the future of Yellow Arrow Publishing. To help us reach our goal, we are aiming for 50 donors of $50 or more and 10 donors of $100 or more. Funds raised go directly to support our programs, and in 2023 we plan to focus on expanding access to the literary arts for women-identifying writers by:

• Offering low-cost, accessible workshops for creatives to explore the craft of writing

• Expanding outreach and scholarship efforts to encourage more writers from diverse ethnic and socioeconomic groups to attend our workshops

• Offering additional resources for emerging writers entering the literary world

• What does your donation accomplish? A $50 donation from you is the equivalent of:

  • One free 1-hour event that could be available to up to 25 writers

  • Two workshop scholarships

  • Five poetry or prose pieces published in Yellow Arrow Journal

We are ever so grateful for your continued support of women-identifying writers. Donate today to help us achieve our fundraising goals!

Yellow Arrow depends on the support of those who value our work; your continued support means everything to us. Donations are appreciated via PayPal (staff@yellowarrowpublishing.com), Venmo (@DonateYAP), or US mail (PO Box 65185, Baltimore, Maryland 21209). You can further support us by purchasing one of our publications from the Yellow Arrow bookstore, joining our newsletter, following us on Facebook, Instagram, or Twitter, or subscribing to our YouTube channel. More than anything, messages of support through any one of our channels are greatly appreciated.

Once again, thank you for supporting independent publishing and women writers.

Warmest Wishes,

Annie Marhefka and the Yellow Arrow Publishing team

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Annie Marhefka is a writer in Baltimore, Maryland. Her creative nonfiction and poetry have been published by Lunch Ticket, Literary Mama, Pithead Chapel, Anti-Heroin Chic, and others, and her work has been nominated for Best of the Net. Annie is the executive director at Yellow Arrow Publishing, a Baltimore-based nonprofit supporting and empowering women writers, and is working on a memoir about mother/daughter relationships. You can find Annie’s writing on Instagram @anniemarhefka, Twitter @charmcityannie, and at anniemarhefka.com.

Meet the 2023 Yellow Arrow Publishing Pushcart Prize Nominees

The Pushcart Prize honors the incredible work of authors published by small presses and has since 1976. And since then, thousands of writers have been featured in its annual collections—most of whom are new to the series. The Pushcart Prize is a wonderful opportunity for writers of short stories, poetry, and essays to jump further into the literary world and see their work gain recognition and appreciation.

The Prize represents an incredible opportunity for Yellow Arrow to further showcase and support our authors. Our staff is committed to letting our authors shine. Every writer has a story to tell and every story is worth telling. We are so proud of everyone we publish at Yellow Arrow. Without further ado, let’s meet the 2023 Yellow Arrow Pushcart Prize Nominees!

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AMANDA BAKER

“A coda: Your relationship between you and you is the most important.” What is Another Word for Intimacy?

~ Those words of poetry / you said to me / I think you need to turn them around and say them to yourself / and when you’re ready / when you actually believe them / when you love yourself enough / to be the poem / then you’ll be ready for me ~

Amanda Baker is a mental health therapist, 200-hour yoga instructor, and poet from Baltimore, Maryland. She attended the University of Maryland School of Social Work as well as James Madison University. She is also the mother of her four-year old son, Dylan. Her self-published poetry collection, ASK: A Collection of Poetry, Lyrics, and Words, features work from her early teens into her 30s. You can find her on Instagram @amandabakerwrites.

Amanda’s latest chapbook What is Another Word for Intimacy? was just released in October 2022 and can be found in the Yellow Arrow bookstore.

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DIANN LEO-OMINE

“The Hawk,” Yellow Arrow Journal Vol. VII, No. 2 PEREGRINE 

~ For once in my life, there was no need for language. I will see the place I am from. I will feel the place I am from. I will arrive. ~

Diann Leo-Omine was born and raised in San Francisco, California (Ramaytush Ohlone land), and the colorfully boisterous Toisanese diaspora. Residing now in California’s North Central Valley (Nisenan land), she was awarded a 2022 creative nonfiction fellowship with Rooted and Written at the San Francisco Writers Grotto. She also cocurated and edited the Asian American food zine Lunchbox Moments. Her writing can be found in The Six Fifty, The Universal Asian, Write Now! SF Bay’s Essential Truths, and the BIPOC Writing Party’s forthcoming anthology. You can find her on Instagram @sweetleoomine and Twitter @sweetleoomine, as well as on her website sweetleoomine.com. 

Diann contributed her creative nonfiction piece “The Hawk” to Yellow Arrow Journal’s Vol. VII, No. 2 issue, PEREGRINE.

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DARAH SCHILLINGER

“the daffodils die,” when the daffodils die

~ what a devastating way to fall in love. ~

Darah Schillinger has previously published poetry in the St. Mary’s College of Maryland’s literary journal, AVATAR, on the Spillwords Press website, in Maryland Bards Poetry Review 2022, and in the first edition of Solstice Magazine. Her first poetry chapbook, when the daffodils die, was released in July 2022 by Yellow Arrow Publishing. Darah is currently Editor-in-Chief of Grub Street Literary Magazine and is pursuing her professional writing graduate degree at Towson University. She lives in Perry Hall, Maryland, with her dog, Moby. You can find her on Facebook @darah.schillinger and Instagram @darahschillinger. 

Darah’s chapbook when the daffodils die can be found in the Yellow Arrow bookstore. She also contributed a poem, “i walk home at 10:03 pm,” to Yellow Arrow Journal Vol. VII, No. 1, UpSpring. Darah was the Yellow Arrow 2021 summer publications intern.

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NIKITA RIMAL SHARMA

“The most beautiful garden,” The most beautiful garden

~ Or maybe she has morphed into

a fragrant bush of roses—

enamored by beauty,

guarded by thorns. ~

Nikita Rimal Sharma currently resides in Baltimore, Maryland, and is originally from Kathmandu, Nepal. Professionally, she works at B’More Clubhouse, a mental health nonprofit that is all about working toward reintegration and finding community for adults living with mental illness. Nikita’s first published poem was in Yellow Arrow Journal (Re)Formation from fall 2020. Her first published chapbook, The most beautiful garden, came out in April 2022. She covers themes such as mental health, immigration, and personal growth with a touch of nostalgia. You can find her on Instagram @nikita.playwithwords.

Nikita’s chapbook The most beautiful garden can be found in the Yellow Arrow bookstore. Her poem, “Be You, Beautiful,” can be found in Yellow Arrow Journal’s Vol. V, No. 3 issue, (Re)Formation. She also contributed her work to EMERGE: Pandemic Stories and Poetry is Life. You can learn more about Nikita in her May 2021 Yellow Arrow Journal .W.o.W.

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KAY SMITH-BLUM

“On Edge,” Yellow Arrow Journal Vol. VII, No. 1 UpSpring

~ A new foundation will be required. One that rests on individual needs rather than the whole. One that has space for new dreams. The sun casts its sinking spell. The breach shrinks in its glow. ~

Kay Smith-Blum, named Woman Business Owner (NWWA) of the Year 2013, is a recovering retailer writing in Seattle. She coauthored the “Every Man, Every Woman” series of cards and posters published by Schurman Fine Papers and Portal Publications. Kay is the author of two novels of historical fiction, currently out for agent review. Her humorous essay, “Targets,” was nominated by Heavy Feather Review for Best of the Net 2020. Other essays in her “Virus Days” humor series have been published by Pif Magazine, Quail Bell Magazine, and several other fine journals. Her short fiction can be found now or in the future at Fiction Southeast, Yellow Arrow Journal, Change Seven Magazine, and Minerva Rising, among many others. You can find Kay on Twitter @kaysmithblum, Instagram @discerningksb, and Facebook/Linkedin @kay.smithblum. You can also find her on her website kaysmith-blum.com. 

Kay contributed her creative nonfiction piece, “On Edge,” to Yellow Arrow Journal’s Vol. VII, No. 1 issue, UpSpring.

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Yellow Arrow recently revamped and restructured its Yellow Arrow Journal subscription plan to include two levels. Do you think you are an Avid Reader or a Literary Lover? Find out more about the discounts and goodies involved at yellowarrowpublishing.com/store/yellow-arrow-journal-subscription. Yellow Arrow Publishing is a nonprofit supporting women writers through publication and access to the literary arts.

You can support us as we AWAKEN in a variety of ways: purchase one of our publications from the Yellow Arrow bookstore, join our newsletter, follow us on Facebook, Instagram, or Twitter or subscribe to our YouTube channel. Donations are appreciated via PayPal (staff@yellowarrowpublishing.com), Venmo (@yellowarrowpublishing), or US mail (PO Box 102, Glen Arm, MD 21057). More than anything, messages of support through any one of our channels are greatly appreciated.

Meet the Yellow Arrow Publishing 2023 chapbook authors

By Kapua Iao

For the past few years, we have been busy creating chapbooks! In 2020, Yellow Arrow Publishing released its first two chapbooks: Smoke the Peace Pipe (Roz Weaver) and the samurai (Linda M. Crate). Learning how to navigate the world of single-author publications and getting to know the authors was truly rewarding. Roz and Linda were and are fantastic writers and fantastic women. In 2021 we published three more incredible collections, No Batteries Required (Ellen Dooling Reynard), St. Paul Street Provocations (Patti Ross), and Listen (Ute Carson). This year, we had the privilege of working with three local, Baltimore authors with their collections, The most beautiful garden (Nikita Rimal Sharma), when the daffodils die (Darah Schillinger), and What is Another Word for Intimacy? (Amanda Baker).

Given all the fantastic authors we’ve worked with one on one, we couldn’t wait to review and choose our 2023 chapbook authors. The review committee blindly read through 79 submissions, and every chapbook was heart-filled and personal. And because we consider everyone that publishes with Yellow Arrow family, we spent much time really thinking about our decision. From these initial submissions, we created a longlist of 20 chapbooks then a shortlist of 10 chapbooks (see below for our longlist and shortlist), eventually selecting three to publish in 2023. It was difficult to email every submitter letting them know our decision (writing an acceptance email is as hard as a decline as you never know how either message will be received), but the process is done, and we are so excited to work with the three chosen.

So, without further ado, let’s meet the 2023 Yellow Arrow chapbook authors!

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Ann Weil

Lifecycle of a Beautiful Woman

coming April 2023

Ann Weil writes at her home on the corner of Stratford and Avon in Ann Arbor, Michigan, and on a deck boat at Snipe’s Point Sandbar off Key West, Florida. Her work has been nominated for Best of the Net and appears in more than 45 journals and anthologies including Crab Creek Review, Bacopa Literary Review, Whale Road Review, Shooter Literary Magazine, Eastern Iowa Review, and DMQ Review. Ann earned her doctorate at the University of Michigan and is a former special education teacher and professor of education. Read more of Ann’s poetry at annweilpoetry.com.

Lifecycle of a Beautiful Woman explores beauty, womanhood, loving, living fully, and ultimately, aging, from the perspective of a 61-year-old woman (me!).

When did you first realize words have power?

Ha! Great question. I first realized words have power at the age of seven when I won a contest for my poem “Wobbly the Pumpkin Witch.” That was a big day for me, and I still remember the words to that poem (my 85-year-old mother does, too!). But seriously, words have always been important to me, first as a reader—my favorite pastime ever. Little Women slayed me as a teen and when I was introduced to Mary Oliver as a young mother, my life was truly transformed. Imagine that! Poetry can change your life. As an academic, I poured myself into my research and wrote scholarly articles for the field of special education, but my right-brained heart couldn’t wait to get back to reading and writing poetry. Writing has become my daily joy, and joy is its own source of power, right?

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Shantell Hinton Hill

Black girl magic & other elixirs

coming July 2023

Shantell Hinton Hill is the ultimate Renaissance woman. An engineer turned pastor, Shantell situates her work at the intersections of social justice, public theology, and Black feminism/womanism. A native of Conway, Arkansas, Shantell is married to Rev. Jeremy Hill. They recently welcomed their first child, Sophie June, to their growing family. Shantell obtained a Master of Divinity from Vanderbilt Divinity School. She also earned a Bachelor of Science in Electrical Engineering from Vanderbilt University and a Master of Science in Electrical Engineering from Colorado State University.

She is a proud member of Delta Sigma Theta Sorority, Inc., and the National Society of Black Engineers. She is also an ordained minister in the Christian Church (Disciples of Christ). Her vocational experiences include work as a process control engineer, a Bible teacher, and as Assistant University Chaplain at Vanderbilt University. At Winthrop Rockefeller Foundation, Shantell focuses on community engagement, faith-based coalition building, and narrative change to imagine more just communities in Arkansas. In her spare time, Shantell is also a freelance writer/author and curates digital content that centers the wholeness and thriving.

Black girl magic & other elixirs is a poetry collection that uplifts the embodied experiences ranging from Black girlhood to womanhood, particularly in the context of growing up in the 90s in the American south. The collection brings to bear the often-unspoken truths about the survival, wit, and skill Black girls and women develop in a world dominated by a myriad of interlocking oppressions. Additionally, this collection seeks to pay homage and build upon the revolutionary work of Black women authors, poets, leaders, and culture bearers. The thematic story arc is an in-depth journey into the nuances of the over-popular term “Black girl magic” juxtaposed with the struggle to realize a world where such magic would no longer need to exist. I am hopeful this collection illustrates that I am passionate about the intersections of justice, storytelling, ethics, and Black women’s spirituality.

When did you first realize words have power?

I started writing my first novel when I was eight or nine years old. I vividly remember writing neatly lined words onto a yellow notepad of a story about a little girl who runs away and forges an adventurous life on her own. It was the summertime, and I was spending several weeks at my grandparents’ house in Greenwood, Mississippi. Besides languishing in the oppressive jim crow-esque heat, there was nothing to do except sit in the front room and listen to the ticktock of 60 Minutes or the gospel messages of John Hagee—my grandfather’s favorite shows to watch while he was sleeping soundly in his folding chair. In those days, my grandfather’s words were law. and his wishes were sovereign.

But in my novel, I created the storyline, characters, and themes that transported me to a place where I could make decisions, take risks, and make-believe other people whom I understood and who I could pretend understood me. Writing gave me license to be big. It gave me the agency to be the commentator of my world rather than a passive participant in a world controlled by others. Discovering my gift for writing unlearned my eyes to see beyond the here and now. And it remains one of the most powerful tools I use today.

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Cassie Premo Steele

Swimming in Gilead

coming October 2023

Cassie Premo Steele, Ph.D., is an award-winning ecofeminist author of 16 books and audio programs ranging from novels to poetry and nonfiction and scholarship. Her novel, The ReSisters, published by a small, independent press in Maine, was a #1 bestseller on Amazon in the category of books for young people combating prejudice and racism. We Heal from Memory, her scholarly work published by Palgrave, advanced ideas about the power of poetry to heal individual and collective trauma 20 years before these ideas were introduced into the mainstream. Her nonfiction book, Earth Joy Writing, published by Ashland Creek Publishing in Oregon, continues to sell well seven years after publication and is available for sale at Congaree National Park, where she leads seasonal forest journaling workshops. Her poetry has won numerous awards, including the Archibald Rutledge Prize named after the first Poet Laureate of South Carolina, where she lives with her wife.

In the summer of 2020 as the pandemic was raging, Cassie joined a group of six women—three from Canada and three from the United States, four white and two women of color, and five lesbian and one straight—to sit and write together by Zoom once a week. They were strangers who came together during the loneliness and terror of that time and in the process, they helped each other survive.

They called themselves the Gilead Sisters.

The poems in Swimming in Gilead were written under the loving kindness and acceptance of these women who became “her eye” for each other. By opening into vulnerability, the poems show readers how to “swim in Gilead” with hope and perseverance as our rights as women are taken away.

When did you first realize words have power?

I was a child under the shadow of Watergate. In fact, I suggested putting blue construction paper on the floor and a white fence on the walls to decorate the classroom for parent night when I was in kindergarten. I knew even then that words have power—to empower and disempower, to reveal truths and cover lies, to help people and to hurt them.

I took these insights with me as I grew, and I used them to help me through a difficult childhood and later incidents of sexual assault. Poetry was always the medicine that helped me gain clarity, find healing, and rediscover my power.

The poems in Swimming in Gilead show that combination of vulnerability and authority as each poem reveals the deeper truths that allow readers to live with courage and a renewed connection to their creative fire.

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We can’t wait to work with Ann, Shantell, and Cassie next year but definitely have to acknowledge all the incredible collections we received in the summer. In particular, we would love to give a shout out to our shortlisted and longlisted authors.

Meet our shortlisted authors:

Lorena Caputo

Shelby Catalano

Susan Cummins Miller

Theta Pavis

Melanie Weldon-Soiset

Sophie Zhu

And our longlisted authors:

 Priscilla Arthur

 Carol Barrett

 M.M. Buckner

 Margaret Cantú-Sánchez

 Carolina Hospital

Saadia Khalid

Diane Payne

Ana C.H. Silva

Richelle Lee Slota

Ellie White

Such incredible writing! Thank you to everyone who took the time to send your words to us. It was a pleasure to read what you put on the page.

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Every writer has a story to tell and every story is worth telling. We are so proud of everyone we publish at Yellow Arrow. You can learn more about all our authors here and support them by purchasing publications in the Yellow Arrow bookstore.

Yellow Arrow recently revamped and restructured its Yellow Arrow Journal subscription plan to include two levels. Do you think you are an Avid Reader or a Literary Lover? Find out more about the discounts and goodies involved at yellowarrowpublishing.com/store/yellow-arrow-journal-subscription. Yellow Arrow Publishing is a nonprofit supporting women writers through publication and access to the literary arts.

You can support us as we AWAKEN in a variety of ways: purchase one of our publications from the Yellow Arrow bookstore, join our newsletter, follow us on Facebook, Instagram, or Twitter or subscribe to our YouTube channel. Donations are appreciated via PayPal (staff@yellowarrowpublishing.com), Venmo (@yellowarrowpublishing), or US mail (PO Box 102, Glen Arm, MD 21057). More than anything, messages of support through any one of our channels are greatly appreciated.

Unexpected Moments: What is Another Word for Intimacy? by Amanda Baker

Yellow Arrow Publishing announces the release of our latest chapbook, What is Another Word for Intimacy? by Amanda Baker. Since its establishment in 2016, Yellow Arrow has devoted its efforts to advocate for all women writers through inclusion in the biannual Yellow Arrow Journal as well as single-author publications, and by providing strong author support, writing workshops, and volunteering opportunities. We at Yellow Arrow are excited to continue our mission by supporting Amanda in all her writing and publishing endeavors.

What is Another Word for Intimacy? came to fruition after years of not writing. As a child and teenager, Amanda had a passion for writing that got lost amidst the illusion of glamor in straight As and the molding of oneself to be apologetically pleasing. Who has time for vulnerability, fascination, imagination, and daydreaming when you’re told they get in the way of productivity and accomplishment? How can you access inner deepness if your heart closes? What leads to a closed heart? Without these answers, Amanda was rarely intimate, unless you count psychology books and social parties, where intimacy is diluted by the appetizers, side wall conversations, and free drinks. Amanda’s passion and deep-seated writing did not fully return until her 30s. Now, she writes to fill the void. She writes to create connections. She writes to find true intimacy, believing it is about the vulnerability that comes with being open and honest when connecting to someone else, whether in friendship, companionship, or love.

In What is Another Word for Intimacy? Amanda travels through unexpected moments of intimacy—a pack of fruit mint gum, the inside of a pocket, an old green dress that still fits—only to realize that all exists within oneself. Relationships are a vessel for growth. Relationships are a mirror, reflecting back in us what we believe about ourselves.

Amanda is a mental health therapist, 200-hour yoga instructor, and poet from Baltimore, Maryland. She attended the University of Maryland School of Social Work and James Madison University. She is a mother of her four-year-old son, Dylan, and enjoys time in nature. Amanda has self-published a poetry collection that includes written work from her early teens into her 30s. You may find her book ASK: A Collection of Poetry, Lyrics, and Words on Amazon and Barnes & Noble.

The incredible cover was created in-house by Creative Director Alexa Laharty after a few conversations with Amanda. “Intimacy does not need to be defined in words,” Amanda conveyed in a recent chat, “this cover represents all that we are not able to fully say, understand, or see. It still creates a shared authentic experience. It creates a resonance, a vitality, a life force. Touching palm lines, interlaced fingers, a hug of hands is my favorite! The way energy can be felt from miles and miles away and in a touch, in hand holding.”

Paperback and PDF versions of What is Another Word for Intimacy? are now available from the Yellow Arrow bookstore. If interested in purchasing more than one paperback copy for friends and family, check out our discounted wholesale prices here. You can also search for What is Another Word for Intimacy? wherever you purchase your books including Amazon, Barnes & Noble, and Kobo. To learn more about Amanda and What is Another Word for Intimacy?, check out our recent interview with her.

You can find Amanda on Instagram @amandabakerwrites and connect with Yellow Arrow on Facebook and Instagram, to share some love for this chapbook. We’d love to hear from you.

*****

Yellow Arrow Publishing is a nonprofit supporting women writers through publication and access to the literary arts. Yellow Arrow recently revamped and restructured its Yellow Arrow Journal subscription plan to include two levels. Do you think you are an Avid Reader or a Literary Lover? Find out more about the discounts and goodies involved at yellowarrowpublishing.com/store/yellow-arrow-journal-subscription.

You can support us as we AWAKEN in a variety of ways: purchase one of our publications from the Yellow Arrow bookstore, join our newsletter, follow us on Facebook, Instagram, or Twitter or subscribe to our YouTube channel. Donations are appreciated via PayPal (staff@yellowarrowpublishing.com), Venmo (@yellowarrowpublishing), or US mail (PO Box 102, Glen Arm, MD 21057). More than anything, messages of support through any one of our channels are greatly appreciated.

The Fact of Living in a Place: I (want to) love you, Baltimore publication release

Yellow Arrow Publishing announces the release of our latest publication, I (want to) love you, Baltimore, by the Yellow Arrow 2022 Writers-in-Residence: Arao Ameny, Amy L. Bernstein, Catrice Greer, and Matilda Young. Since its establishment in 2016, Yellow Arrow has devoted its efforts to advocate for all women writers through inclusion in the biannual Yellow Arrow Journal as well as single- and multi-author publications, and by providing strong author support, writing workshops, and volunteering opportunities. We at Yellow Arrow are excited to continue our mission by supporting the residents in all their writing and publishing endeavors.

I (want to) love you, Baltimore is now available from the Yellow Arrow bookstore as a paperback and a PDF. A heartfelt thanks to Arao, Amy, Catrice, and Matilda for going on this journey with us. Visit yellowarrowpublishing.com/writerinresidence-program to learn more about the 2022 writers-in-residence.

Below, Yellow Arrow Executive Director Annie Marhefka, who accompanied the residents on their journey, dives deeper into what it means to be a Yellow Arrow resident and what it means to create and compile a publication as a group.

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By Annie Marhefka

As writers, we like to seek out opportunities to explore our craft in a way that grounds us in place. Writing retreats are places you escape to in order to write, writing fellowships award you funds to write wherever you want, and writing residencies offer you a place to go to dedicate time to the pursuit of writing. A residency by definition is “the fact of living in a place.” Residency programs are meant to foster community among its participants. This year at Yellow Arrow Publishing, we decided to have a virtual writing residency for Baltimore residents, a thing that is at odds with itself, a thing that should not even exist.

Founder Gwen Van Velsor initially designed yellow Arrow’s residency program to accommodate emerging writers who could not spend weeks or months in a location far removed from where their obligations resided. The original residency was flexible—a place, the Yellow Arrow House, you could go to at hours of your own choosing, a space to call your own, for the sole purpose of writing. But in 2020 as we all know, our shared physical spaces became places where disease could spread rather than places where we could find community. In fact, my introduction to Yellow Arrow was through its residency program during this time; mine began in March of 2020. As a new mother who had quickly found it impossible to write, even with childcare, in my own noisy home, I was ecstatic to have been awarded a residency with Yellow Arrow. I hired a nanny to watch my child a few afternoons each week and headed off to my new writing space in Highlandtown.

The writing space was intimate—a small wooden desk in a corner by two windows that looked out over the intersection of South Conkling and Bank streets. Despite its plainness, it was apparent that someone [Gwen] had taken care to make the space feel cozy, safe, inspiring. One window was adorned with a large paper cutout of a woman writing. The silhouette cast a feminine shadow across the room when the sun peeked over the brick building across the street. An empty notebook whose cover was decorated with a picture of the Baltimore skyline laid upon the desk, along with a basket of pens, a vase of yellow flowers, and a yellow coffee mug.

While I had sought out the writing residency to escape others, to find solace in a place where I was isolated, it struck me once I arrived that the thing about the space that made it conducive to writing was the presence of other writers in the room. The only other piece of furniture in the room was a classic green chalkboard easel. On it, Gwen had drawn a swirly yellow arrow and written this quote by Emily Kamminga, a contributor to Yellow Arrow Journal, COURAGE (Vol. III):

On that first day, I wrote 3,000 words—almost an entire chapter for my work-in-progress, a memoir about my relationship with my late mother. I was elated. Then, several days later, I penned an article about the world shutting down for I Heart Highlandtown’s website. It is stunning to read that back to myself now—how I thought of it as temporary, how I thought of the pandemic story having an ending. Fast forward to 2021, when I took on the role of executive director of Yellow Arrow and had to re-envision how we would (how we could) host programs, like the writing residency, without a physical space. When our mission was centered around building community space for emerging writers and creatives, how could I create a community virtual space that was as sacred and nurturing to the soul as the space Gwen had created for me?

I knew immediately that the residency program could not be done in isolation in this way. We were all already isolating, physically; I could not then expect writers to pursue their creative endeavors alone in their rooms. They needed a safe zone. They needed a sanctuary. They needed a place—even if it was not a real, tangible location. We decided to create a virtual cohort of writers and the writers had to be in Baltimore. Even though they may never meet in person, they needed to have place in common. Places can amplify our differences and our commonalities; they can separate us, unite us, bond us. And Baltimore is where Yellow Arrow’s roots are, and where my roots are, so Charm City would be a requirement.

The four writers we selected, Arao, Amy, Catrice, and Matilda, submitted stunning portfolios of work, and would represent different facets of Baltimore—different neighborhoods, different experiences, different perspectives. My intention was to meet monthly with the four writers and check on their progress, as I did not want to overburden them in an already over-burdensome online landscape with more Zoom calls, but I also intended to let the writers guide me in how I facilitated the program. In our first meeting, they all agreed they preferred to meet weekly, and so that became the new plan. For several months, we met on Zoom and most days, we started our conversations with how everyone was doing personally. Sometimes, we let those check-ins drive our entire meeting space. Sometimes they needed to. We talked about our losses, our writing inspirations, and sometimes our inability to feel inspired at that moment.

But mostly, the writers shared their words. Arao, Amy, Catrice, and Matilda put their full selves forward throughout their residency program. The irony of having a virtual residency grounded in Baltimore was that it was not grounded in any place at all. For each Zoom call, we clicked on a web link, adjusted our lighting, and muted ourselves when we weren’t talking. Some of us even had faux backgrounds that blurred when we shifted too quickly to the left, and here we were talking about the city that surrounded us, and our relationship to it without really being in it together.

The only rule I had given them was that the writing had to incorporate Baltimore in some way—as setting, as background, as character. They drafted poems and read them aloud with a vulnerability that only a writer with a half-finished first draft fully understands. We sent clapping emojis and typed out lines that stood out to us in the chat with exclamation marks to convey how much the words impacted us, and we went off mute to cheer and cry and say, “Thank you for sharing that with us.”

Most importantly, we created a beautiful publication out of the residency program, now available from the Yellow Arrow bookstore as a paperback and a PDF. You can also search for I (want to) love you, Baltimore wherever you purchase your books including Amazon, Barnes & Noble, and Kobo. To learn more about the residents, check out our residents’ blog posts here.

I know that you, as a reader, will feel rooted in the place that inspired these beautiful poems: our Baltimore. And I know that you, as a reader, will be as thankful as I am that these writers shared their stories with us. They created for each other what I had only hoped to replicate from that tiny little writing studio in Highlandtown: the fact of living in a place, together.

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Annie Marhefka is a writer and publishing professional in Baltimore. Her creative nonfiction and poetry have been published by Hobart, Literary Mama, Pithead Chapel, Anti-Heroin Chic, Sledgehammer, and others. Annie is the Executive Director at Yellow Arrow Publishing and is working on a memoir about mother/daughter relationships. Annie spent the majority of her career as an executive in human resources in the ed-tech industry before switching paths to focus on motherhood and creative writing. When she’s not writing or wrangling her children, she likes to spend her time on the Chesapeake Bay and other bodies of water. You can find Annie’s writing on Instagram @anniemarhefka, Twitter @charmcityannie, and at anniemarhefka.com.

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Yellow Arrow recently revamped and restructured its Yellow Arrow Journal subscription plan to include two levels. Do you think you are an Avid Reader or a Literary Lover? Find out more about the discounts and goodies involved at yellowarrowpublishing.com/store/yellow-arrow-journal-subscription. Yellow Arrow Publishing is a nonprofit supporting women writers through publication and access to the literary arts.

You can support us as we AWAKEN in a variety of ways: purchase one of our publications from the Yellow Arrow bookstore, join our newsletter, follow us on Facebook, Instagram, or Twitter or subscribe to our YouTube channel. Donations are appreciated via PayPal (staff@yellowarrowpublishing.com), Venmo (@yellowarrowpublishing), or US mail (PO Box 102, Glen Arm, MD 21057). More than anything, messages of support through any one of our channels are greatly appreciated.

Everything is cyclical: when the daffodils die, a chapbook by Darah Schillinger

Yellow Arrow Publishing announces the release of our latest chapbook, when the daffodils die, by Darah Schillinger. Since its establishment in 2016, Yellow Arrow has devoted its efforts to advocate for all women writers through inclusion in the biannual Yellow Arrow Journal as well as single-author publications, and by providing strong author support, writing workshops, and volunteering opportunities. We at Yellow Arrow are excited to continue our mission by supporting Darah in all her writing and publishing endeavors.

when the daffodils die includes an assortment of poems exploring love, loss, and the self. Within the pages are various references to the wonders of nature, providing her readers with the tangible to describe intangible feelings. From wintery landscapes to cloudy skies and yellow summer days, Darah wields her poetry within when the daffodils die to bring her readers on a journey through their (and her) relationship with themselves and with those they choose to surround themselves with. Young love, a mother’s love, self-love, spiritual love, all encompassing love. Her willingness to write about the many facets of love and the way she challenges both herself and the long-standing truths within society about women and their place within the world makes this collection of poetry one of courage, defiance, and an appreciation for the overlooked things in life.

Darah previously interned for the literary magazine EcoTheo Review in summer 2020 and has had poetry published in her school literary journal, AVATAR, on the Spillwords Press website, in issue one of the Solstice Literary Magazine, and in the Maryland Bard’s Poetry Review 2022. Darah currently lives in Perry Hall, Maryland, with her parents, and in her free time, she likes to write poetry and paint. She plans to pursue an MS in professional writing and hopes to establish a career in publishing after its completion.

The stunning, simplistic cover art and interior daffodils were created by Creative Director Alexa Laharty.

Paperback and PDF versions of when the daffodils die are now available from the Yellow Arrow bookstore. If interested in purchasing more than one paperback copy for friends and family, check out our discounted wholesale prices here. You can also search for when the daffodils die wherever you purchase your books including Amazon, Barnes & Noble, and Kobo. To learn more about Darah and when the daffodils die, check out our recent interview with her.

You can find Darah on Instagram @darahschillinger or @brokewritersociety and on Facebook @darah.schillinger, and connect with Yellow Arrow on Facebook and Instagram, to share some love for this chapbook. We’d love to hear from you.

*****

Yellow Arrow Publishing is a nonprofit supporting women writers through publication and access to the literary arts. Yellow Arrow recently revamped and restructured its Yellow Arrow Journal subscription plan to include two levels. Do you think you are an Avid Reader or a Literary Lover? Find out more about the discounts and goodies involved at yellowarrowpublishing.com/store/yellow-arrow-journal-subscription.

You can support us as we AWAKEN in a variety of ways: purchase one of our publications from the Yellow Arrow bookstore, join our newsletter, follow us on Facebook, Instagram, or Twitter or subscribe to our YouTube channel. Donations are appreciated via PayPal (staff@yellowarrowpublishing.com), Venmo (@yellowarrowpublishing), or US mail (PO Box 102, Glen Arm, MD 21057). More than anything, messages of support through any one of our channels are greatly appreciated.

From Kathmandu to Baltimore: The most beautiful garden by Nikita Rimal Sharma

Yellow Arrow Publishing announces the release of our latest chapbook, The most beautiful garden, by Nikita Rimal Sharma. Since its establishment in 2016, Yellow Arrow has devoted its efforts to advocate for all women writers through inclusion in the biannual Yellow Arrow Journal as well as single-author publications, and by providing strong author support, writing workshops, and volunteering opportunities. We at Yellow Arrow are excited to continue our mission by supporting Nikita in all her writing and publishing endeavors.

The most beautiful garden is an expression of Nikita. It is a collection of poems that includes themes such as mental health, South Asian culture, her mother, and family. It reflects on deep heartaches, dark moments and light moments, pride, joy, and love, with the hope that anyone who reads The most beautiful garden also gets a chance to reflect on the beautiful being they are in spite of the baggage and everything they hold.

The incredible cover art was created by Creative Director Alexa Laharty based on a photograph Nikita provided of her mother. Interior images were also drawn by Alexa.

Nikita currently resides in Baltimore, Maryland with her husband and Pitbull Terrier, Stone, and works at B’More Clubhouse, a community-based mental health nonprofit. She is originally from Kathmandu, Nepal. Nikita is a typical homebody who gets a lot of joy from slow running, short hikes, reading, and deep thoughts. She has always loved writing and started writing at the age of seven when she wrote a fairy tale titled “Star Girls.” Nikita wishes she had saved a copy of it.

Paperback and PDF versions of The most beautiful garden are now available from the Yellow Arrow bookstore. If interested in purchasing more than one paperback copy for friends and family, check out our discounted wholesale prices here. You can also search for The most beautiful garden wherever you purchase your books including Amazon, Barnes & Noble, and Kobo. To learn more about Nikita and The most beautiful garden, check out our recent interview with her.

You can find Nikita on Instagram @nikita.playwithwords, and connect with Yellow Arrow on Facebook and Instagram, to share some love for this chapbook. We’ll let everyone know about her book launch soon.

Happy National Poetry Month!

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Yellow Arrow Publishing is a nonprofit supporting women writers through publication and access to the literary arts.

You can support us as we AWAKEN in a variety of ways: purchase one of our publications from the Yellow Arrow bookstore, join our newsletter, follow us on Facebook, Instagram, or Twitter or subscribe to our YouTube channel. Donations are appreciated via PayPal (staff@yellowarrowpublishing.com), Venmo (@yellowarrowpublishing), or US mail (PO Box 102, Glen Arm, MD 21057). More than anything, messages of support through any one of our channels are greatly appreciated.

Meet the 2022 Yellow Arrow Publishing Writers-in-Residence

Yellow Arrow Publishing is based in Baltimore, Maryland, and loves supporting the array of diverse neighborhoods within the incredible city. And through our 2022 Writers-in-Residence program, the four chosen residents will be weaving the influence of their Baltimore experiences with their words. We encourage our Writers-in-Residence to take inspiration from the Baltimore community by writing in spaces representative of their neighborhood, and we hope that Charm City’s influence is present in their writing. Starting today and continuing through May, our residents will write, collaborate, and grow. Yellow Arrow commits to motivating, supporting, and amplifying their voices.

Every writer has a story to tell and every story is worth telling. We are so proud of everyone within the Yellow Arrow community. Without further ado, let’s meet the 2022 Yellow Arrow Writers-in-Residence!

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Arao Ameny

Arao Ameny is a Maryland-based poet and writer from Lira, Lango, Northern Uganda. She is a multigenre writer with a focus on poetry, fiction, and nonfiction. She is currently a biography writer and editor at the Poetry Foundation, publisher of Poetry Magazine. She earned her MFA in Fiction Writing from the University of Baltimore in 2019. She also earned an MA in Journalism from Indiana University and a BA in Political Science with minors in International Relations and Communications from the University of Indianapolis. She is a former fiction editor and copyeditor at Welter, a literary journal at the University of Baltimore. Her first published poem, “Home is a Woman,” won The Southern Review’s 2020 James Olney Award. In 2021, she was a finalist for the United Kingdom-based Brunel International African Poetry Prize, a nominee for the Best New Poets anthology (USA), and a winner of a Brooklyn Poets Fellowship. 

Arao is the recipient of the 2022 Mayor’s Individual Artist Award from the Creative Baltimore Fund, a grant from Mayor Brandon Scott, the City of Baltimore, and The Baltimore Office of Promotion & The Arts (BOPA). She is also a recipient of the Poets & Writers’ Open Door Career Advancement Grant for women writers of color. The workshops she has attended include Tin House and Kenyon Review Writers Workshop. Her favorite writer is Zimbabwean novelist, short story writer, playwright, and poet Dambudzo Marechera. Previously, she worked in communications at New York City government and as a writer and social media editor at Africa Renewal magazine at the United Nations in New York City.

Follow Arao on Twitter, Instagram, and Facebook @araoameny.

What will you be working on during your residency?

During my residency, I’d like to revise a poetry manuscript and generate new poems. I would also like to revise a manuscript of 11 fiction short stories and generate a draft for a new story.

How has living in Baltimore shaped who you are as a storyteller?

As a storyteller in Baltimore, I’ve immersed myself in the work of writers with links or connections to this city. I’ve delved into the work of writers like Chimamanda Ngozi Adichie, Zora Neale Hurston, Edgar Allan Poe, Scott Fitzgerald, Frederick Douglass, and many more. As a person who has always found me in transition, migrating, moving, settling, resettling, and ultimately reinventing the self, I look to the writers of each place I go—in this case, Baltimore—as an anchor and a compass for my own writing journey.

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Amy L. Bernstein

Amy L. Bernstein writes for the page, the stage, and forms in between. Her novels include The Potrero Complex, The Nighthawkers, and Fran, The Second Time Around. Amy’s poetry leans heavily on freeform prose poems that address psychological and political states of mind. Amy is an award-winning journalist, playwright, and certified nonfiction book coach.

Follow Amy on Twitter, Instagram, and LinkedIn @amylberstein, and Facebook @AmyLBernsteinAuthor. Find her website at amywrites.live.

What will you be working on during your residency?

I intend to hold twice-monthly workshops with emerging and experienced female-identifying poets and writers aged 16 and up from across the city. We will focus on a joint project, namely, using our creative imaginations to reinvent Baltimore a millennium from now. Writers may use poetry, creative nonfiction, flash fiction, or hybrid forms of literary expression to envision a future city that celebrates their possible descendants. We will write separately and together. This project will hopefully culminate in an anthology that may eventually be published.

How has living in Baltimore shaped who you are as a storyteller?

Baltimore City has had a big impact on the settings and stories included in much of my fiction and poetry. I’ve written several poems that seek to explore and refract aspects of systemic racism through my sensibility as a white female artist. To that end, I’ve researched specific landmarks, including cemeteries and parks, as well as specific streets in Baltimore, where enslaved people were held or marched down to the docks. Walking through actual landscapes is a huge trigger for the literary imagination. In my novels, Baltimore serves as a backdrop for a variety of plots, ranging from the realistic to the highly fanciful. For instance, in my paranormal romance novel, the Inner Harbor morphs into a shimmery gateway to an alternative reality.

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Catrice Greer

Catrice Greer is a Baltimore-based writer and a 2021 Pushcart Prize nominee. In November 2020, she served as a Poet-In-Residence for Cheltenham Poetry Festival (United Kingdom). Her poetic work explores a range of topics about the human condition including mental health wellness, trauma, healing, sciences, nature, astronomy, transcendence, spirituality, identity, heritage, and cultural ancestry. She is published in local publications, online journals, and international anthologies. Currently, Catrice is coeditor of Lapidus Magazine (Lapidus International, UK), guest editor for IceFloe Press (Canada), and a guest poetry reviewer for Fevers of the Mind (U.S.).

Follow Catrice on Twitter @cgreer_greer and Instagram @Gcatrice.

What will you be working on during your residency?

During this residency, my focus is on completing my first poetry chapbook/collection for publication. This particular collection is about trauma, healing, transcendence, nature, and personhood. I explore the human condition.

How has living in Baltimore shaped who you are as a storyteller?

My stories are tethered to experiences as a lifelong resident of Baltimore through my eyes, personal history, cultural and socioeconomic overlaps, and cacophony of life experiences. Though some of the narratives are personal, some are observational, and others, are universal. A sense of place acts as a foundational marker at times, and other times as a pivot or contrast.

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Matilda Young

Matilda Young is a poet with an MFA in Poetry from the University of Maryland. She has been published in several journals, including Anatolios Magazine, Angel City Review, and Entropy Magazine’s Blackcackle. She enjoys Edgar Allan Poe jokes, not being in her apartment, sharing viral birding videos, and being obnoxious about the benefits of stovetop popcorn.

Follow Matilda on Instagram @matildayoung28.

What will you be working on during your residency?

During my residency, I will be focused on how I can share the practice and joy of poetry with my community—virtually and in person. In addition to leading a virtual daily writing practice in April, I will also be finding ways to connect with people in my neighborhood around poetry. During this time, I’ll also be working on finishing my manuscript of poems. And I’ll be putting together a chapbook around the idea of “women and other monsters.”

How has living in Baltimore shaped who you are as a storyteller?

Although I’m a relative newcomer to Baltimore, I feel like living here has infused a lot of my writing. I love the streets I’ve gotten to wander down, the people I’ve gotten to meet, the hawk sightings in Druid Hill Park, and the seagulls that hang out next to my grocery store. I also am deeply inspired by the amazing writers, creators, artists, and advocates in this city. There is so much creativity and community to be found here.

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We encourage you to follow along with them on their creative journeys over the next two months. Our hope is that you will be as inspired by the arts as they are, as well as the diverse community we enjoy.

Happy National Poetry Month!

*****

Yellow Arrow Publishing is a nonprofit supporting women writers through publication and access to the literary arts.

You can support us as we AWAKEN in a variety of ways: purchase one of our publications from the Yellow Arrow bookstore, join our newsletter, follow us on Facebook, Instagram, or Twitter or subscribe to our YouTube channel. Donations are appreciated via PayPal (staff@yellowarrowpublishing.com), Venmo (@yellowarrowpublishing), or US mail (PO Box 102, Glen Arm, MD 21057). More than anything, messages of support through any one of our channels are greatly appreciated.

Yellow Arrow Journal (VII/01) Submissions are Now Open!

Yellow Arrow Publishing is excited to announce submissions for our next issue of Yellow Arrow Journal, Vol. VII, No. 1 (spring 2022), are open March 1–31 addressing the overarching idea of r[a]ise. At its heart, r[a]ise brings up the idea that one rises as an individual and/or one raises others up. Rising is awakening but raising is also about what we do next as part of us but also outside ourselves: we raise children, raise food, raise awareness, raise questions. How do the two words interact in fruitful ways?”

This issue’s theme is

UpSpring

 : to spring up

: a leap forward or upward

: to come into being

akin to a creation story (whether personal, cultural, or communal), a narrative of how something (someone) comes into being

Have you been raised by a community/communities that led to your own upspring?

Can a group or community upspring together? What kind of awakening might be needed for this to happen?

What upspring(s) have you brought into being? For someone or something else? Tell us about something or someone you raised.

What upsprings (in nature, in society, in your communities) have inspired an awakening?

Yellow Arrow Journal is looking for creative nonfiction, poetry, and cover art submissions by writers/artists that identify as women, on the theme of UpSpring. Submissions can be in any language as long as an English translation accompanies them. For more information regarding journal submission guidelines, please visit yellowarrowpublishing.com/submissions. Please read our guidelines carefully before submitting. To learn more about our editorial views and how important your voice is in your story, read About the Journal. This issue will be released in May 2022.

We would also like to welcome this issue’s guest editor: Rebecca Pelky. Rebecca was one of our ANFRACTUOUS poets with her incredible piece “Nuhpuhk’hqash Qushki Qipit (Braids).” She holds a PhD from the University of Missouri, an MFA from Northern Michigan University, and is an Assistant Professor of Film Studies at Clarkson University. She is a member of the Brothertown Indian Nation of Wisconsin and a native of Michigan’s Upper Peninsula. Through a Red Place, her second poetry collection and winner of the 2021 Perugia Press Prize, was released in September 2021. Her first book, Horizon of the Dog Woman, was published by Saint Julian Press in 2020.

We are also excited to announce that Rebecca will be teaching the workshop “Writing the Archive” for Yellow Arrow in April. The goal of this workshop is to introduce participants to various methods of writing creatively using archival materials as inspiration. While we often think of archives as places where research—in that most academic sense—occurs, archival documents can also be source material for creative inspiration. Archival material is mostly how Rebecca wrote her Perugia Press collection Through a Red Place.

Find out more about Rebecca at rebeccapelky.com.

Check back frequently and sign up for our newsletter as we are excited to reopen journal subscriptions soon!

The journal is just one of many ways that Yellow Arrow Publishing works to support and inspire women through publication and access to the literary arts. Since its founding in 2016, Yellow Arrow has worked tirelessly to make an impact on the local and global community by advocating for writers that identify as women. Yellow Arrow proudly represents the voices of women from around the globe. Creating diversity in the literary world and providing a safe space is deeply important. Every writer has a story to tell, every story is worth telling.

You can be a part of this mission and amazing experience by submitting to Yellow Arrow, taking a workshop, volunteering, and/or donating today.

*****

Yellow Arrow Publishing is a nonprofit supporting women writers through publication and access to the literary arts.

You can support us as we AWAKEN in a variety of ways: purchase one of our publications from the Yellow Arrow bookstore, join our newsletter, follow us on Facebook, Instagram, or Twitter or subscribe to our YouTube channel. Donations are appreciated via PayPal (staff@yellowarrowpublishing.com), Venmo (@yellowarrowpublishing), or US mail (PO Box 102, Glen Arm, MD 21057). More than anything, messages of support through any one of our channels are greatly appreciated.

Poetry is Life: A Workshop Becomes a Book

Yellow Arrow announces the release of an unexpected but delightful poetry guide, Poetry is Life: Writing with Yellow Arrow. The book, which grew from a monthly writing workshop launched in early 2020, is both a celebration of poetry created during the pandemic and a step-by-step practicum for those who wish to create their own verse.

In 12 chapters corresponding to 12 workshop sessions, readers will experience the class themselves through poems that participants created in response to work by beloved poets from William Blake to Terrence Hayes, from Elizabeth Bishop to Tracy K. Smith. Readers then can use the provided prompts to create their own poems. The book’s intent is to reacquaint readers with contemporary masters, introduce up-and-coming poets, and provide an interactive and structured approach that can be applied to their own practice.

The book was compiled by poet Ann Quinn, who also led the class. Ann was the first-place winner in the 2015 Bethesda Literary Arts Festival poetry contest and has been nominated for two Pushcart Prizes. Her chapbook, Final Deployment, was published by Finishing Line Press in 2018. She is Yellow Arrow’s poetry editor.

Eight poets, ranging from beginners to those with published books of poetry, participated in the monthly poetry workshop and contributed to the book. While the majority are from the Baltimore area, others hail from San Diego, Charlotte, and Detroit.

The cover is an acrylic painting with mixed media created by Baltimore artist Claudia Cameron.

Paperback and PDF versions of Poetry is Life are now available from the Yellow Arrow bookstore. If interested in purchasing more than one paperback copy for friends and family, check out our discounted wholesale prices here. You can also search for Poetry is Life wherever you purchase your books including Amazon, Barnes & Noble, and Kobo.

And don’t forget to join us for a reading of Poetry is Life on February 6 at 3:00 pm. Find out more here.

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Yellow Arrow Publishing is a nonprofit supporting women writers through publication and access to the literary arts. If interested in writing a review of Poetry is Life or any of our other publications, please email editor@yellowarrowpublishing.com for more information.

You can support us as we AWAKEN in a variety of ways: purchase one of our publications from the Yellow Arrow bookstore, join our newsletter, follow us on Facebook, Instagram, or Twitter or subscribe to our YouTube channel. Donations are appreciated via PayPal (staff@yellowarrowpublishing.com), Venmo (@yellowarrowpublishing), or US mail (PO Box 102, Glen Arm, MD 21057). More than anything, messages of support through any one of our channels are greatly appreciated.

Awakening: Drawing Inspiration from Yellow Arrow’s 2022 Value

By Annie Marhefka

Happy new year, Yellow Arrow community.

Each year, staff and board at Yellow Arrow come together to select our value for the year—one word that reflects where we currently are on our journey and one that encompasses all that we are embracing and aspiring to in the year ahead. Last year, we chose EMERGE as our value, following 2020’s theme of REFUGE, where we focused on creating a safe place, a shelter for our community. In 2021, we anticipated an emergence—metaphorically, as we navigated our individual journeys in isolation for much of the year, and physically, as we had paused many of our programs as an organization and as a society.

Though we are not out of the proverbial woods of the global pandemic yet, we can sense a change—a revival, a rousing of the senses. We have learned, we have grown, we have changed, as individuals, as an organization, and as a community. There is a collective newfound awareness of what deeply matters to us, and our focus this year is on embracing that change as we ignite the way forward. Yes, there is much still for us to mourn and contemplate and grieve. But on this morning, the start of 2022, we choose to AWAKEN.

For the past two years, Yellow Arrow has had to pause or modify many of our programs in response to the epidemic and its impact on our operations. For 2022, we are excited about the opportunity to pave a path forward into a new day and as such, our chosen value is AWAKEN. Things will be different, certainly, but we have learned incredible lessons about our resilience, our collective passions, and our literary community’s needs and shared hopes. These lessons will serve as the springboard for our future direction.

If isolation and distancing have had a positive impact, it is that we have been encouraged to awaken our senses to those around us. Compassion and empathy have become necessities and we have pushed ourselves to be more present: to see, hear, smell, taste, touch what is around us more deeply and thoughtfully in order to understand what others are feeling. This awakening of the senses is not just present in how we feel internally, but in the stories we share with others, and Yellow Arrow hopes to inspire our community of writers and readers to incorporate those senses within our written words.

Awakening also signals a new beginning, a fresh way of working and being together. At Yellow Arrow, we have committed to reinstating our core programs in new ways, with a virtual writing residency, online writing workshops, and expanded digital support for our readers and writers. If and when the opportunity to gather in person arises, we will fully embrace it with a focus on safely fostering our mission. But for now, we will look for new ways to spark our creative lights.

And to awaken also means to open our eyes wider, to dig deeper into the background and grow our individual and collective awareness of what is happening around us. We have always had a solid foundation of women writers and a focus on supporting those with voices that have been marginalized by old systems. This year, we aim to expand the diversity of writers and readers we work with even further, in an effort to further support underrepresented populations in the literary arts community. We have brought on LaWanda Stone as Director of Diversity and Inclusion and look forward to the passion she brings to expanding our outreach and incorporating these values in all of the work that we do.

While we present our 2022 value to you with a message of hope and renewal, we also know that many of you are continuing to suffer—whether it be from mental health issues, physical issues, (COVID-19 related or otherwise), or just the tremendous burden that weighs on us as we navigate through the challenges we face in the world around us, and within our own homes. Some of you may not feel ready to take on this changed world just yet. If that is you, please rest. We will be here when you are ready to AWAKEN.

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Yellow Arrow Publishing is a nonprofit supporting women writers through publication and access to the literary arts.

You can support us as we AWAKEN in a variety of ways: purchase one of our publications from the Yellow Arrow bookstore, join our newsletter, follow us on Facebook, Instagram, or Twitter or subscribe to our YouTube channel. Donations are appreciated via PayPal (staff@yellowarrowpublishing.com), Venmo (@yellowarrowpublishing), or US mail (PO Box 102, Glen Arm, MD 21057). More than anything, messages of support through any one of our channels are greatly appreciated.

Reintroducing Yellow Arrow’s 2022 [virtual] Writing Residency

Application Opens February 7!

Yellow Arrow Publishing is so pleased to reintroduce our Writers-in-Residence program for 2022! Our writing residency program was developed as a way to support and connect emerging writers who identify as women in the Baltimore area, and while we had to put the program on hold last year, we are thrilled to share that we have reimagined the program and will be hosting four [virtual] writers-in-residence for 2022 in April and May. The application opens February 7, so if you are an emerging writer in the Baltimore area, read on for more details and start preparing your application packet!

Read about the 2020 Writers-in-Residence here and the 2019 Writers-in-Residence here. Get your PDF copy of both residency publications from the Yellow Arrow bookstore. From NOW until February 25, you can purchase PDFs of the 2019 and 2020 residency publications (zipped together) for the low price of $5.00. See what past writers-in-residence created!

Requirements:

Applicants must identify as women and reside in Baltimore City or County. Application packets, including a Google Doc form, resume or CV, and a writing sample, must be completed. The Google Doc will be available at yellowarrowpublishing.com/writerinresidence-program February 7–25.

Who Should Apply:

Emerging to mid career writers are encouraged to apply. You should be able to commit 5–10 hours per week on your writing during this time, but when and where you do your writing is entirely up to you! We specifically designed this residency for writers with many competing demands on their time, so that you can fit the program into your life—whether that means working around a full-time job, part-time gigs, motherhood, quality time with your pet, or other personal responsibilities! We are looking for a diverse range of applicants from a broad scope of neighborhoods in both Baltimore City and County.

Where will you write?

We encourage our Writers-in-Residence to take inspiration from the Baltimore community by writing in spaces representative of your neighborhood, and we hope that Charm City’s influence is present in your writing. We hope that by April/May it will be safer to engage in-person but if it’s not, the weather should be nice enough that you can take advantage of outdoor spaces. The entire program has been designed to be feasible virtually, but when and if we can meet safely in-person, we will certainly try to do so (with your safety as our top priority).

What we hope you will gain:

Writers-in-residence will connect and share within a cohort of local writers during the two-month residency program. Yellow Arrow commits to motivating, supporting, and amplifying the voices of our selected writers-in-residence. You will be provided feedback on your work by your peers in the program, and your blog posts will be featured on Yellow Arrow’s website and social media accounts.

What we hope you will give:

Writers-in-residence will write at least one blog post for Yellow Arrow and teach at least one virtual workshop offered to the Yellow Arrow community during their residency. In addition, they will participate in required events, including orientation, up to four virtual sessions with their cohort of writers, and a virtual reading of their work at the completion of the residency.

Questions? Email anniemarhefka@gmail.com with “YAP Residency” and your name in the subject line.

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Yellow Arrow Publishing is a nonprofit supporting women writers through publication and access to the literary arts. To learn more about publishing, volunteering, or donating, visityellowarrowpublishing.com.

The Light Reflects Our Path: A Thank You to Family and Friends

Dear supporters, authors, readers, and staff,

As we reflect on all we have endured and accomplished this year, we begin with an overwhelming feeling of gratitude. This year, like the last, has been laced with challenges as we have continued to navigate the changing landscape in the arts and literary community, and the significant events that have impacted small businesses and nonprofit organizations like ours around the country and the world. During these times, we have seen that literature and words are more critical to us than ever before—we must sustain our ability to support those who have stories to share and provide our community with the tools and resources that lift their voices up. We could not have succeeded in doing so this year at Yellow Arrow Publishing without the unwavering support of our authors, our readers, our staff, our volunteers, and our invaluable supporters.

We began this year in reflection, with the release of Yellow Arrow Journal on the theme RENASCENCE. In RENASCENCE, we were taken by the awareness and appreciation for our roots, our histories, our shared and unique experiences. Our guest editor, Taína, shared her words on the power of pen and ink:

“In the correct hand . . . paper and ink are tools of resistance. Of rebellion. Like my ancestor etching petroglyphs on the caves of Isla Mona, it is daring to make permanent a fleeting existence. The fuel which has ignited revolutions and birthed nations. In the hands of the silenced, paper and ink is a re-claimation. A renascence. It is ours.”

We explored our stories and cultures with a lens of both nostalgia and awakening, a reflection of our common and unique experiences and a call for change.

Then with our EMERGE: Pandemic Stories and Coming Into View zines, we faced the trauma and the victories brought on by the COVID-19 pandemic and let our voices play a role in our growth and transformation. The zines were based on the Yellow Arrow 2021 yearly theme EMERGE and the desire of all who participated in the zines to expand, develop, and come to light. We hope to continue this zine tradition each year with our chosen yearly theme.

And in our November journal, ANFRACTUOUS, we celebrated the resilience and persistence of those who twist and turn but do not break. As Guest Editor Keshni Naicker Washington states in her introduction, “Of all the stories we tell ourselves and others, the most significant follow the words ‘I am . . .’” This unbreakable spirit is what drives us from this period of emergence into a new year and a new perspective.

We were thrilled to publish three phenomenal chapbooks—No Batteries Required (Ellen Dooling Reynard, April 2021), St. Paul Street Provocations (Patti Ross, July 2021), and Listen (Ute Carson, October 2021)—and have just announced the incredibly talented writers we will publish in 2022: Amanda Baker, Darah Schillinger, and Nikita Rimal Sharma. You can learn more about these and last year’s authors here.

Pick up a copy of all of our publications in our bookstore and please show your support to our 2021 authors by watching them read their pieces on the Yellow Arrow YouTube channel.

This year, we were also able to reflect at an organizational level, thinking back on our foundations (check out Founder Gwen Van Velsor’s blog on this topic here) and thinking ahead to our next steps. We have set in place our goals and plans for 2022, which include expanded workshop offerings and events for writers, the resurgence of our Writers-in-Residence program (stay tuned for an announcement about this in January!), and a focus on further diversifying our work, both in the words and writers we publish, and the folks behind-the-scenes who drive us forward. We have expanded our Board of Directors and are set to introduce a new Diversity, Equity, and Inclusion statement.

Finally, in an effort to provide sustainability for the initiatives we have planned for next year, we have launched our fundraising campaign: Turning the Next Page. This campaign will run through year-end; if you have not donated yet and are able to, we would so greatly appreciate your support! Funds go towards supporting tomorrow’s authors today.

Yellow Arrow depends on the support of those who value our work; your continued support means everything to us. Donations are appreciated via PayPal (staff@yellowarrowpublishing.com), Venmo (@DonateYAP), or US mail (PO Box 102, Baltimore, MD 21057). You can further support us by purchasing one of our publications from the Yellow Arrow bookstore, joining our newsletter (bottom of page), following us on Facebook, Instagram, or Twitter, or subscribing to our YouTube channel.

Once again, thank you for supporting independent publishing and women writers.

Sincerely,

Annie Marhefka and the Yellow Arrow Publishing team

Meet the 2022 Yellow Arrow Publishing Pushcart Prize Nominees

The Pushcart Prize honors the incredible work of authors published by small presses and has since 1976. And since then, thousands of writers have been featured in its annual collections—most of whom are new to the series. The Pushcart Prize is a wonderful opportunity for writers of short stories, poetry, and essays to jump further into the literary world and see their work gain recognition and appreciation.

The Prize represents an incredible opportunity for Yellow Arrow to further showcase and support our authors. Our staff is committed to letting our authors shine. Every writer has a story to tell and every story is worth telling. We are so proud of everyone we publish at Yellow Arrow. Without further ado, let’s meet the 2022 Yellow Arrow Pushcart Prize Nominees!

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Ute Carson

“Talking and Listening,” Listen

~ Like inhaling and exhaling, /we need both. /By exchanging stories, /we can reach understanding. ~

Ute Carson, a German-born writer from youth, has published two novels, a novella, a volume of stories, four collections of poetry, and numerous essays, here and abroad. Her poetry was twice nominated for the Pushcart Prize before. She resides in Austin, Texas with her husband. They have three daughters, six grandchildren, a horse, and a clowder of cats. Please visit her at utecarson.com.

Ute was featured in Yellow Arrow Journal’s (Re)Formation issue and her .Writers.on.Writing. was added to the Yellow Arrow website August 2021. Ute’s chapbook Listen was just released in the Yellow Arrow bookstore.

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María Elena Montero

“Four Quarters,” Yellow Arrow Journal, Vol. VI, No. 2 Anfractuous

~ I was four quarters at peace. The whole of me, sitting there highlighted by streaks of auburns and bronzes. Four quarters at peace with owing an explanation to no one. ~

María Elena Montero is a writer born and raised in the Washington, D.C. area. She is AfroLatina of Cuban-Dominican descent and fluent in Spanish, rumbao, and bachata (not necessarily in that order). María Elena’s essays have appeared in The Acentos Review, in the award-winning SankShuned Photography Art Book, the anthology Peínate: Hair Battles Between Latina Mothers and Daughters, and the literary magazine midnight & indigo. When she’s not bird watching, teaching yoga, or writing, you can find María Elena at meechiemail.com and her CNF “Four Quarters” in Yellow Arrow Journal ANFRACTUOUS.

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LEAH MYERS

“A Writer Who Can’t Read,” Yellow Arrow Journal Vol. VI, No. 1 Renascence

~ A writer who can’t read is a sorry sight. When I don’t understand a language, I want to skim over it. I want to let my eyes gloss its twists and bends so that I do not have to feel lesser for not understanding. ~

Leah Myers is an Urban Native American writer with roots in Georgia, Arizona, and Washington, and is currently pursuing an MFA in creative nonfiction at the University of New Orleans. Her work has previously appeared in Craft Literary Magazine, High Shelf Press, Newfound, and elsewhere. Leah is a member of the Jamestown S’Klallam tribe and can be found on Instagram and Twitter @n8v_wordsmith, or at leahmyers.com.

You can learn more about Leah in her Yellow Arrow Journal .W.o.W. from July 2021 and a “Writer Who Can’t Read” in Yellow Arrow Journal RENASCENCE.

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Melissa Nunez

“Alight,” EMERGE: Coming Into View

~ I am accustomed to the point of tuning out, at times, the mournful coos of the white-tipped doves, the cackling caws of grackles, mimics of mockingbirds, even the self-announcing great kiskadee; their quotidian shades and shapes quickly perceived and processed, not penetrating past the subliminal. ~

Melissa Nunez is an avid reader, writer, and homeschooling mother of three. She lives in the Rio Grande Valley region of South Texas—a predominantly Latin@ community. She writes both essays and poetry inspired by observation of the natural world, the dynamics of relationships, and the question of belonging. Her work has been featured in Folio, Yellow Arrow Journal, and others. Melissa has a flash essay, “Je Vois la Vie en Rose,” that came out in Issue 7 of the online magazine eucalyptus & rose while “Regeneration” was published in FEED Issue 2.25 and “Leche y Miel” was included in Issue 2: Día de los Muertos of Alebrijes Review. Her essay “Silent” is forthcoming in Issue 21 of Minerva Rising. You can find her on Twitter @MelissaKNunez.

Melissa contributed her nonfiction piece “What is Mine” to Yellow Arrow Journal’s Vol. VI, No. 1 issue on RENASCENCE. And “Alight” is from EMERGE: Coming Into View. You can find her prerecorded reading of “Alight” on Yellow Arrow’s YouTube channel. You can learn more about Melissa in her November 2021 Yellow Arrow Journal .W.o.W.

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Ellen Dooling Reynard

“No Batteries Required,” No Batteries Required

~ I write in pencil, the original computer /of pine wood, graphite, and rubber, /instead of metal, plastic, /and that mysterious something called circuitry. ~

Ellen Dooling Reynard spent her childhood on a cattle ranch in Montana. Raised on myths and fairy tales, the sense of wonder has never left her. A one-time editor of Parabola Magazine, her chapbook, No Batteries Required, was published in April 2021 by Yellow Arrow Publishing. Her poetry has also been published by Lighten Up On Line, Persimmon, Silver Blade, The Ekphrastic Review, and The Muddy River Poetry Review. Now retired, she has relocated to Temecula, California, where she is working on a series of ekphrastic poems based on (and including) the work of her late husband, the French painter Paul Reynard (1927–2005). Follow Ellen on Facebook and connect with her at ellendoolingreynard.com.

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Patti Ross

“Indemnity,” St. Paul Street Provocations

~ It was your ancestors who started the fight. /Don't you see the need to make right? ~

Patti Ross graduated from Washington, D.C.’s Duke Ellington School for the Performing Arts and The American University. After graduation, several of her journalist pieces were published in the Washington Times and the Rural America newspapers. Retiring from a career in technology Patti has rediscovered her love of writing and shares her voice as the spoken word artist little pi. Her poems are published in the Pen In Hand Journal, PoetryXHunger website, and Oyster River Pages: Composite Dreams Issue. Follow her blog at littlepisuniverse.com.

Her poignant debut chapbook, St. Paul Street Provocations, can be found in the Yellow Arrow bookstore.

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If you haven’t had the opportunity yet, please make sure to donate to our Turning the Next Page fundraising campaign. Yellow Arrow is able to share stories of writers who identify as women because of our incredible community of supporters. Your assistance contributes to the publication of our journal as well as our incredible chapbooks and zines.

Yellow Arrow Publishing is a nonprofit supporting women writers through publication and access to the literary arts. Thank you for supporting independent publishing.

Accepting Yourself: Yellow Arrow Journal (Vol. VI, No. 2) ANFRACTUOUS

“Of all the stories we tell ourselves and others, the most significant follow the words ‘I am . . .’”

Keshni Naicker Washington’s first sentence to the introduction of ANFRACTUOUS, Yellow Arrow Journal Vol. VI, No. 2 (fall 2021), sets the tone for the entire issue. One that explores the idea of belonging and unbelonging; as Keshni, the issue’s wonderful guest editor, explains, “. . . we become some self-fashioned mosaic of belonging unique to our own choices and the intricate twists of our experiences.” What does it mean to belong and who gets to decide when/how someone belongs?

When we first announced the theme ANFRACTUOUS (full of windings and intricate turnings, things that twist and turn but do not break), we weren’t sure what to expect, if submitters would explore the conscious/unconscious decisions that make us who we are. But they did, and we laughed and cried and commiserated and sympathized. Our hearts soared while reading the over one hundred submissions we received. Thank you to everyone who took the time to send us their stories. Ultimately, we had to narrow down our finalists; the chosen pieces and contributors resonated with Keshni, the Yellow Arrow team, and each other by weaving a beautiful story about belonging-ness. We hope that you, our dear readers, are ready to take this voyage with our authors and with Keshni. Thank you, Keshni, for putting together such an extraordinary issue.

Paperback and PDF versions are now available from the Yellow Arrow bookstore. Discounts are also available (here) if you would like to purchase copies for friends and family (minimum purchase of five). A great opportunity with Christmas just around the corner! You can also search for Yellow Arrow Journal on any e-book device or anywhere you purchase books, including Amazon and most other distribution channels.

And if you are interested in reading what our incredible authors thought of the theme, pick up a copy of the PDF version along with the paperback. Included within the PDF version only are the authors’ and Keshni’s responses to the following question: what/who/where was a turning point toward acceptance/belonging? Take some time and reflect on your own response. Is there a turning point for you?

One final note, don’t forget to check out our prerecorded reading of Anfractuous, “An Exploration of Belonging: The Anfractuous Reading,” which will be released on the Yellow Arrow YouTube channel on November 30. In the meantime, here’s a sneak peek.

We hope you enjoy reading ANFRACTUOUS as much as we enjoyed creating it. Thank you for your continued encouragement of Yellow Arrow Publishing and the women involved in ANFRACTUOUS.

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If you haven’t had the opportunity yet, please make sure to donate to our Turning the Next Page fundraising campaign. Yellow Arrow is able to share stories of writers who identify as women because of our incredible community of supporters. Your assistance contributes to the publication of our journal as well as our incredible chapbooks and zines.

Yellow Arrow Publishing is a nonprofit supporting women writers through publication and access to the literary arts. Thank you for supporting independent publishing.

Meet the Yellow Arrow Publishing 2022 chapbook authors

By Kapua Iao

In 2020, Yellow Arrow Publishing released its first two chapbooks: Smoke the Peace Pipe (Roz Weaver) and the samurai (Linda M. Crate). Learning how to navigate the world of single-author publications and getting to know the authors was truly rewarding, and we decided to publish three more in 2021:

• No Batteries Required (Ellen Dooling Reynard)

• St. Paul Street Provocations (Patti Ross)

• Listen (Ute Carson)

Moreover, we knew early in 2021 that we wanted to publish chapbook authors in 2022 and opened up submissions during the summer. We then formed a committee to blindly read through our final 45 submissions. Every chapbook received was heart-filled and personal. And because we consider everyone that publishes with Yellow Arrow family, we spent much time really thinking about our decision.

From these initial submissions, we created a shortlist of 15 chapbooks, eventually selecting three to publish in 2022. It was rewarding and difficult to email every submitter letting them know our decision but the process is now done, and we are so excited to work with the three chosen.

So without further ado, let’s meet the 2022 Yellow Arrow chapbook authors!

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Nikita Rimal Sharma

The most beautiful garden

coming April 2022

Nikita Rimal Sharma currently resides in Baltimore, Maryland with her husband and dog, Stone, and works at B’More Clubhouse, a community-based mental health nonprofit. She is originally from Kathmandu, Nepal. Nikita is a typical homebody who gets a lot of joy from slow running, short hikes, reading, and deep thoughts. She has always loved writing and started writing at the age of seven when she wrote a fairy tale titled  “Star Girls.” Nikita wishes she had saved a copy of it.

Her journey with poetry started when she took the first class organized by Yellow Arrow taught by the lovely Ann Quinn. It’s such a beautiful way of playing with words while processing your emotions. Nikita’s first published poem was in Yellow Arrow Journal (Re)Formation from fall 2020.

The most beautiful garden covers themes such as family, her mother, mental health, South Asian culture, and immigration. These are the different aspects her life is made up of and it was her little attempt to put everything into words.

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Darah Schillinger

when the daffodils die

coming July 2022

Darah Schillinger is a rising senior at St. Mary’s College of Maryland studying English Literature with a double minor in Creative Writing and Philosophy. She previously interned for the literary magazine EcoTheo Review in summer 2020 and has had poetry published in both her school literary journal, AVATAR, and in the Spillwords Press Haunted Holidays series for 2020. She was the publications intern for Yellow Arrow for summer 2021. Darah currently lives in Perry Hall, Maryland with her parents, and in her free time, she likes to write poetry and paint. After graduation, she plans to pursue an MA in Creative Writing and hopes to establish a career in publishing after its completion.

Her chapbook, when the daffodils die, is an assortment of love, loss, and wonder at the world that created us, compiled into a collection of 32 poems. Each poem has natural imagery, but the story line itself is about finding steadiness in our love of nature even if romantic love (the love we spend so much energy on) falls short. There are also feminist themes and body positivity incorporated throughout because Darah felt they best represent her and what she wishes to contribute with her work.

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Amanda Baker

What is Another Word for Intimacy?

coming October 2022

Amanda Baker believes that we are more authentic as our childlike selves than we are as adults. We are more likely to share our truth and live our truth as children, but who says we have to stop. Amanda is a mental health therapist, 200-hour yoga instructor, and poet from Baltimore, Maryland. She attended the University of Maryland School of Social Work and James Madison University. She is a mother of her four-year-old son, Dylan, and enjoys time in nature. Amanda has self-published a poetry collection that includes written work from her early teens into her 30s. You may find her book ASK: A Collection of Poetry, Lyrics, and Words on Amazon and Barnes & Noble.

She believes we all have the capacity to find our true selves by connecting back to our passions as children. Hers was and still is art, imagination, dance, and poetry. Amanda stopped writing around 18 and did not return until about two years ago, at age 31. We all have a story to share, and What is Another Word for Intimacy? is the heart and soul of a snapshot of her story.

Amanda started writing again. She wrote to fill the void. She wrote to create connections. She wrote to find intimacy.

Her writing has allowed her to escape detachment. Dissociation. Numbness. Amanda’s writing opened her eyes to imagination and an ability to form new relationships. She experienced existentialism. Confusion. Loss. Excitement. Lust. Love. Heartbreak. True vitality in moving from fear to vulnerability, to intimacy. What is Another Word for Intimacy? takes readers through emotions, connections, and memories, which resembles true fluctuations of intimacy in words and present mindfulness.

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Every writer has a story to tell and every story is worth telling. We are so proud of everyone we publish at Yellow Arrow. You can learn more about all our authors here and support them by purchasing publications in the Yellow Arrow bookstore.

Thank you again to everyone who submitted and to everyone who supports these women and all writers who toil away day after day. Please show these three some love in the comments below or on Yellow Arrow’s Facebook or Instagram.

Yellow Arrow Publishing is a nonprofit supporting women writers through publication and access to the literary arts. To learn more about publishing, volunteering, or donating, visit yellowarrowpublishing.com.

Listen by Ute Carson: Exchanging Stories

Yellow Arrow Publishing announces the release of our latest chapbook, Listen, by Ute Carson. Since its establishment in 2016, Yellow Arrow has devoted its efforts to advocate for all women writers through inclusion in the biannual Yellow Arrow Journal as well as single-author publications, and by providing strong author support, writing workshops, and volunteering opportunities. We at Yellow Arrow are excited to continue our mission by supporting Ute in all her writing and publishing endeavors.

Listen spans the life cycle: birth, parenting (and grandparenting), aging, and dying. Images of nature and our connections to it abound throughout because nature is our habitat. The cover further invokes this symbiotic relationship. The poems within Listen run a full gamut of human emotions—wonder, doubt, pleasure, regret, love, loss, enchantment, and more, all woven into the fabric of lived experience and of experience imagined.

Ute Carson, a German-born writer from youth and an MA graduate in comparative literature from the University of Rochester, published her first prose piece in 1977. Ute has since published two novels, a novella, a volume of stories, four collections of poetry, and numerous essays here and abroad. Her poetry was twice nominated for the Pushcart Award.

Paperback and PDF versions of Listen are now available from the Yellow Arrow Bookstore. If interested in purchasing more than one paperback copy for friends and family, check out our discounted wholesale prices here. You can also search for Listen wherever you purchase your books including Amazon, Barnes & Noble, and Kobo. To learn more about Ute and Listen, check out our recent interview with her.

You can find Ute at utecarson.com or on Facebook, and connect with Yellow Arrow on Facebook and Instagram, to share some love for this chapbook.

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Yellow Arrow Publishing is a nonprofit supporting women writers through publication and access to the literary arts. To learn about publishing, volunteering, or donating, visit yellowarrowpublishing.com. If interested in writing a review of Listen or any of our other publications, please email editor@yellowarrowpublishing.com for more information.